Do you remember Sheffield's 100-year-old Abbeydale Picture House?

Watch more of our videos on Shots! 
and live on Freeview channel 276
Visit Shots! now
December 20, 2020 marked exactly 100 years since the opening of Abbeydale Picture House in Sheffield.

What does this building mean to you? Sheffielders are invited to tell their Abbeydale Picture House stories.

The Abbeydale Picture House on Abbeydale Road was a large, ornate and luxurious suburban cinema, built during the Hollywood boom of the ‘roaring 20s’.

Hide Ad
Hide Ad

The cinema could seat over 1,500 people and was the largest in Sheffield.

Beautiful interiors in need of restorationBeautiful interiors in need of restoration
Beautiful interiors in need of restoration

After many years of gradual decline and then a shift towards restoration, the building was leased to CADS (Creative Arts Development Space) in 2017 who repurposed it as an event and studio space and are currently in the middle of a large restoration project.

2021 will see a year of events celebrating the history of the building, which was due to kick off on January 17 with an all-day event from the Yorkshire Silent Film Festival.

This has currently been postponed until March 14.

More information on this event can be found at

Hide Ad
Hide Ad
The auditorium at Abbeydale Picture House, which showed its first film in December 1920The auditorium at Abbeydale Picture House, which showed its first film in December 1920
The auditorium at Abbeydale Picture House, which showed its first film in December 1920

The event was set to feature showings of silent films with live musical accompaniment and a talk about the history of cinema in Sheffield.

To help with their centenary celebrations, CADS would like to hear from the public.

Do you have memories, pictures and stories to tell?

Please send us a message at [email protected] or use the social pages for the Abbeydale Picture House

When the Picture House first opened, it included a ballroom and a still functioning billiard room.

Hide Ad
Hide Ad

Initially intended to be used as a fully-functioning theatre, the arrival of the ‘talkies’ (films with recorded sound) led to the stage being used to house sound equipment in the 1930s.

New projection equipment was installed in the 1950s - these now vintage projectors are still in situ in the vast projection room, but the cinema stopped functioning in 1975.

After some time as an office supply showroom, the restoration of the building began in 1991 with groups such as The Friends of the Abbeydale Picture House and the current owner, Phil Robins, all contributing time and cash to restore and maintain the building.

In 2017, CADS took on the running of the building, leasing from the owner Phil Robins with the long-term goal of fully restoring the building for use as an event space, licensed cafe and studio space.

Hide Ad
Hide Ad

This is in keeping with the other buildings CADS manage around Sheffield.

Since taking on the building, CADS have overseen the restoration of the projector units so that cinema can now show films again.

They have also completed many tasks to modernise and repair the various spaces inside and outside the building and have installed new facilities.

They have also hosted many private and public events and partnered with a diverse range of organisations including Tramlines Festival, Sensoria, Migration Matters, Doc/Fest, Reel Steel and Village Screen.

Hide Ad
Hide Ad

Mark Riddington, venue coordinator and project officer for Abbeydale Picture House, said: “CADS are absolutely delighted, and incredibly proud to be able to celebrate the 100th birthday of the Abbeydale Picture House.

"It is one of very few buildings of its type remaining in the country, and building that has survived against the odds, and is still entertaining people 100 years after it first opened its doors on December 20, 1920, as Sheffield's largest, and most luxurious cinema to date!”

In these confusing and worrying times, local journalism is more vital than ever. Thanks to everyone who helps us ask the questions that matter by taking out a digital subscription or buying a paper. We stand together. Nancy Fielder, editor.

Related topics: